Stephen Sondheim Quotes
Stephen Joshua Sondheim is an American composer and lyricist for stage and film. (1930 - )
|
|
|
|
A close-up on screen can say all a song can.
|
|
|
|
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
|
|
|
|
All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.
|
|
|
|
Art, in itself, is an attempt to bring order out of chaos.
[Art]
|
|
|
|
By the time I was 22, I was a professional. A young and flawed professional, but not an amateur.
|
|
|
|
Every writer I've ever spoken to feels fraudulent in some way or other.
|
|
|
|
Everyone I used to play with has either given up or is dead.
|
|
|
|
Generally, the best recording is the original cast, because that's the way the piece grew: integrally, with them.
|
|
|
|
Gotta watch out for directors.
|
|
|
|
I chose and my world was shaken. So what? The choice may have been mistaken; the choosing was not. You have to move on.
|
|
|
|
I don't listen to recordings of my songs. I don't avoid it, I just don't go out of my way to do it.
|
|
|
|
I fell into lyric writing because of music. I backed into it.
|
|
|
|
I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
|
|
|
|
I played the organ when I went to military school, when I was 10. They had a huge organ, the second-largest pipe organ in New York State. I loved all the buttons and the gadgets. I've always been a gadget man.
|
|
|
|
I prefer neurotic people. I like to hear rumblings beneath the surface.
|
|
|
|
I really don't want to write a score until the whole show is cast and staged.
|
|
|
|
I was raised to be charming, not sincere.
|
|
|
|
I would have been a geologist.
|
|
|
|
If people have split views about your work, I think it's flattering. I'd rather have them feel something about it than dismiss it.
|
|
|
|
If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song.
|
|
|
|
|